StudentShare
Contact Us
Sign In / Sign Up for FREE
Search
Go to advanced search...
Free

Creative Writing: Rebeca - the novel by Maurier - Coursework Example

Cite this document
Summary
It is believed that souls do not leave the world in solitude. They are like the wanderers who keep on walking on the dry and barren lands…
Download free paper File format: .doc, available for editing
GRAB THE BEST PAPER98.1% of users find it useful
Creative Writing: Rebeca - the novel by Maurier
Read Text Preview

Extract of sample "Creative Writing: Rebeca - the novel by Maurier"

? “Rebecca - The Novel by Maurier” enter the Number or College 16th February, Chapter of Rebecca (Prose fiction by me) It is believed that souls do not leave the world in solitude. They are like the wanderers who keep on walking on the dry and barren lands. It is throbbing to witness the people you have loved for so long being loved by others. The space once filled by you gets filled by the new one. It is very painful… And for that matter I have to be there… never to leave Maxim alone… because with all my heart I loved him. I was always there beside him, keeping my head on his shoulder and felt his breath. Every morning and every night no matter what season was it, there was just one reflection I saw in his eyes and that was me and only me. One night, nature planned to throw in the reflection of someone else in his eyes… Maxim smiled by uttering a name which was not mine… it was not Rebecca and I have to make her pay for the rancor. Her dreams, her silence, her words…. I never left any part of her alone. I made her stand outside the iron gates of Manderley and I had powers never to let the locks get ajar. No one could accompany my Maxim and she was particularly trying to get into his head and banish me from there. “No lady”…..I made a pledge… it is I who is going to stay there like the ivy never leaving the walls it has once crept. It was I who did not let the smoke from the chimneys appear, made her walk on the twisting, turning, paths full of thorn so her feet swelled and pricked and bleed and narrow and so unwelcoming. The trees, the branches, the roots….. I made it all so difficult for her. So she had to feel the suffocation. I am there, my footsteps is what she could hear… I approached her by making the branches crossed before her and the indecipherable trees which made her feel lost and alone… I made her feet feel the pain my soul did. And I enjoyed when her skin torn off and she yelled with pain but something got out of my power and she stepped on the green soft grass… which tried to embrace her, soothe her and wipe off the dust. I felt so feeble; all I was able to do with her now was to make her sense like an invader who has never been on these lands before. With every step she took I was there…and I made the paths so long for her that she walked and walked and walked but they never came to an end. I had to make her lost in the maze of life so she could leave my Maxim and me all alone. I looked after our Manderley and never let it loose its beauty. I did not let Manderley lose its silence, its magic, the vibrancy of the green lawns, the soothing winds, the calming waves and the high walls. No cloud could vague the appearance of the sky in Manderley. Everything there was set and kept good care of as I was there waiting for Maxim. O... but I forgot that the lady so bitter as her presence was for me still stood there, looking at our home which could never belong to her so I made the woods appear like monsters to her, with their sharp and rough branches clinging out from everywhere. All were standing there and yelling for her to leave, even I ordered the ivy to make beautiful sights appear for her as filthy and grim as it could be but nothing moved her feet back. To move them back I ordered the ivy to make the daffodils disappear and make her go… she can never approach in my space… and the nettles did play their roles too but she was standing unresponsive to all my efforts which made me fuming. O yes! But I made her feel that I am there. That the house was never empty and it breathes and lives with me there. The paleness on her face made me feel satisfied towards the fear that I wanted to see in her eyes. She was stunned and could not move and in her dreams too I made her feel helpless and unmoved. When I heard her heart throbbing with fear and feeling my presence and her mind filled with questions which no one could answer but me…. I felt like a queen. And I was a queen of Manderley for sure and of Maxim too. Comment The creative writing is done on the Novel “Rebecca” by Daphne du Maurier. The first chapter is transformed into a different setting by me. The way the story is narrated by sequence of events experienced by the second wife of Maxim made me get inspired. I wanted to write the story the other way round. That is why I have composed the story in such a way that the setting is the same but the sequence of events experienced by the second wife were done by Rebecca herself. In the real story Rebecca is not there directly as the second wife is narrating the story. The story is such that the narrator is living with Mrs. Vann Hopper in Monte Carlo. There Maxim and the narrator meet and they find a good chemistry between them. They became close with one another therefore when the time of departure came; the narrator felt that she was inseparable by Mr. Maxim. Therefore, they married and Maxim brought him to Manderley where his house was. Manderly was beautiful place with a big mansion and beach but the narrator did not feel welcomed there. Mr. Maxim told the narrator that he was married before as well and loved her wife dearly but she drowned in a ship which was an accident. In the first chapter the narrator i.e. the second wife of Maxim has explained her feelings that how uncomfortable she felt at that place although by law she was the owner of it. I have written on this chapter and changed the events. In the real novel, the narrator tells that she was dreaming about Manderley again. In her dream she makes the reader feel the amount of strangeness she felt to a place which actually belonged to her. The paths and the doors seemed new and strange to her. The amount of strangeness, unwelcoming and hostility she felt there was alarming. At every point she feels that there is someone else who is taking care of this place and who does not want her there but it is just her personal feeling (Maurier, pp.1-5). The narrator of the tale was not Rebecca but in my writing I have set the novel in a different perspective. The setting of the novel and the time are the same as in the original novel but the experiences and the person who is responsible for all of them is changed. In my creative piece, it is Rebecca who is narrating the story with her feelings about the lady who is approaching her husband’s life. Rebecca cannot leave her husband alone and is there with him after her demise. I have composed my creative piece in the past tense in which the narrator which is Rebecca (in my writing) narrates how she made the second wife of her husband feel unwelcomed and alien in Manderley. It is actually she who is taking care of that place and making things get difficult for the other wife. She makes the second wife of her husband experience the appearance of the woods and the branches of Manderley as if they have grown out like monsters while in the reality they are still the same. When the second wife reaches the mansion she feels that someone is taking care of it in the real novel as well but there is no evidence that it was Rebecca who was doing so. In my creative writing I have made Rebecca narrate her feeling about the second wife and reveal that she was the one who was taking care of the mansion and wanted to live with Maxim in it. In the real novel there is no such thing therefore I have written the novel’s first chapter in a different way which may seem interesting to the readers. The tale is narrated by me in such a way that the narrator (second wife of Maxim) becomes a simple character of the novel and Rebecca becomes the narrator. I have envisaged a different set of feeling and how the aura and experiences were designed for the narrator. The prose fiction composed by me makes one get grasp of the story in a better way. Although no one can write as masterly as Maurier but I have tried to write in an attractive manner making the reader gets involved in the story. References Maurier, D., D., 2012. Rebecca. Little, Brown Book Group. Read More
Cite this document
  • APA
  • MLA
  • CHICAGO
(“Creative Writing: Rebeca - the novel by Maurier Coursework”, n.d.)
Retrieved from https://studentshare.org/literature/1442924-creative-writing
(Creative Writing: Rebeca - the Novel by Maurier Coursework)
https://studentshare.org/literature/1442924-creative-writing.
“Creative Writing: Rebeca - the Novel by Maurier Coursework”, n.d. https://studentshare.org/literature/1442924-creative-writing.
  • Cited: 0 times

CHECK THESE SAMPLES OF Creative Writing: Rebeca - the novel by Maurier

The Social Structure in the English Society

Sharma,2001)Near the end of the novel however, Emma is compelled to marry Montague due to dire financial straits, and we realise that social realities of marriage were after all the same here as in Austen's work, what differs is the method of portrayal and the author's attitude....
8 Pages (2000 words) Book Report/Review

The idea of masculinity and femininity in Jean Rhys novel Wide Sargasso Sea

the novel explores the various contraries that are found in life.... As a social criticism the novel is a documentation of the historic reality of the patterns of thinking and acting that has been perpetuated in the patriarchal society from time immemorial.... However in the evening of her life she came back to writing and produced her novel, Wide Sargassso Sea.... Since gender played an important role in the creation of this novel its full understanding requires a look from the gender point of view....
4 Pages (1000 words) Essay

Creative use of English

Rebecca (1938) by Daphne Du Maurier is consciously set in a world of polite psychological suspense that uses creativity to engender ambiguity as one of the primary forces that drive the language play of the novel.... "It is clearly understood that one of the qualities that all languages have in common is their "creative" aspect.... Humboldt talks about the truly creative aspect of man's cognitive faculty and how man resolves particular creative challenges given to them since language cease to be just syntagmatic and paradigmatic modes of representations and enter the reader's "horizon of expectations" (Jauss, 1982) and self-conscious-ness as Hegel situates it....
11 Pages (2750 words) Essay

Literary Criteria: Rebecca, and The Ghost Road

Williams (cited in Brown 2005) suggests before one can construct a literary critique, that person must first have some understanding of what… ' really is; Williams offers five fundamental aspects of literature for the critic who must discern a difference among them: writing that constitutes polite learning, a body of writing produced by a particular nation, creative or imaginative writing, substantial or important the novel is something that often falls between the cracks of such taxonomy, however, since any given novel might embody one or any number of the above classifications of literature....
12 Pages (3000 words) Essay

Mary Shellys Frankenstein Nature Vs. Nurture Theme Analysis

In many ways, the discourse of the novel is a conversation with her father, telling him all the ways in which he had disappointed her and how this had made her feel.... Shelley, in her preface to an 1869 release of her novel, stated her intent in writing the book was to create a story that would “speak to the mysterious fears… of our nature, and awaking thrilling horror - one to make the reader dread to look round, to curdle the blood, and quicken the beating of the heart” (p 10)....
4 Pages (1000 words) Research Paper

Realist and Nonrealistic Techniques and Principles in Literature

Great expectations by Charles Dickens was written in an age of realism and the novel utilized the narrative voice element to portray realism and nonrealistic techniques and principles.... the novel was written at an important time in history where it became possible because of the industrial revolution for poor men to obtain wealth and social status (Dickens, 1978).... the novel focuses on pip the protagonist of the story who is also the narrator of the story, his chronological development from his childhood, the acquisition of his “great expectations”, his devastated dreams and later abandonment of his high life....
9 Pages (2250 words) Essay

The Ascension to Power by Oedipus

Literature: An Introduction to Fiction, Poetry, Drama, and writing, Interactive Edition.... Oedipus was to become king by killing his father Laius, which happened on his way to visit the town.... The tragedy comes when he ascends to power and marries his mother.... The life of Oedipus is complex… He is the son of King Laius and Queen Jocasta but later married his mother....
2 Pages (500 words) Assignment

The Principle Objective of Modernist Writing

The following paper under the title 'The Principle Objective of Modernist writing' gives detailed information about modernist literature which includes a broad genre of literature that dominated most parts of the late nineteenth century and the early twentieth century.... The principal objective of modernist writing is to break free from “19th century literary and artistic principles” (“Modernism”).... Therefore, to bring up something new the writers adopted entirely new forms of writing....
8 Pages (2000 words) Case Study
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Contact Us